The Allure of Digital

Last Christmas, I gave Kristen a print-out of a digital painting I did as a Christmas present. I was not being cheap (though designers are usually misers). I even framed the print-out and it looks pretty good. I must say I was pretty proud with the painting.

However, during the gift exchange part of the dinner, where we publicly rip apart wrappings and show our sincere (sometimes not too sincere) thanks towards the giver of our gifts, I discovered that I am not too proud of Tempest – the title of the digital painting that I gave Kristen. It was not the work itself, but the medium of the piece. It was entirely digital. No sketches. No messy oil paint or runny watercolours. It was conceived entirely in Photoshop and Painter.

Friends around the table generally respond kindly and favourably towards the print-out, but most asked me how I did the painting. “Was it done in Oil?” “How did you do this?” “This is amazing.” I could not bring myself to say that it was done in Painter, the computer software than simulates the natural medium. I could not bring myself to say that it was colour corrected in Photoshop, and that it was printed with a high DPI so it looks good and real.

If the situation was in a digital illustration forum or Deviantart even, I would be quite please with myself, proud even. However this was real life. And to me, the general consensus with digital artwork in real life is, it’s easy to do.

Even though I consider myself a graphic designer first, illustrating and drawing has always been something I do to express myself creatively and emotively. It is a hobby - a hobby that brings pleasure. When I first started drawing, I was an overgrown teen in a train, sitting beside the ever talented Kristen. I started with the pencil and like many overgrown teenager, I was amazed with Japanese Anime, and wanted to draw impossibly sharp featured boys with ridiculously huge eye balls. As this went on, and my drawing skills improved – or at least I manage to convince myself that I had improved – I was eager to add colour to my drawings. Naturally I turned to the computer. Ever since, my artworks are exclusively digital.

Digital artworks are not easy to do, but probably they are not the hardest. They are not as messy as oil and watercolour. There are multiple levels of undo. Magical layers to help you. And most importantly, art software is widely available to everyone. And perhaps because of this, the allure and exclusivity of the craft is lost, hence regarded as not true art. Something that is easy to do.

Though we have to admit that to create art digitally is less tedious than say, using chalk and oil, is digital art less art than real oil and chalk art. To answer this, we have to ask ourselves, how do we judge art? Do we judge a piece of artwork purely on its execution? Or do we judge just the concept and imagination?

Digital painting may never have the romance of oil painting. The combination of the mess, smell, texture and the ability to touch oil painting makes it undeniably real. But do not discount digital painting just because it’s binary. It requires just as much imagination and creativity (perhaps even more) as any oil painting, and maybe even just as real.